Dialogue is centred and clear, even when characters mouths are obscured by masks. Giacchino's score is excellent, with memorable hero and villain themes. This almost makes up for the lack of 'spidey-sense'.īass is louder and more satisfyingly 'rumbly' compared with a 4K disc such as Thor: Ragnarok. And there are several instances where the audio becomes subjective, which briefly invite you into Parker's headspace. Some uses of Atmos are more obvious, but the subtler moments are noticeable too, such as the Washington Monument sequence where the lift noises and Spider-Man's webbing extend above.Įffects are well positioned, creating a good sense of depth and spatial awareness in the track. The track maintains a presence in the height channels. There's weight to sounds – explosions are cacophonous – but detail is still tangible and sounds rendered with clarity. 2, it strikes a good balance between detail and heft. The Atmos track is loud and intense and, as with Guardians Vol. Tested using Denon AVR-X6400H, PMC Twenty 23 5.1 with KEF R50 modules (5.1.2 Dolby Atmos set-up) MORE: 11 of the best 4K Blu-rays to test your system Sound But compared with Ragnarok and Guardians Vol.2, it falls short of offering a favourable all-round performance. It's a fine picture with a range of improvements over the Blu-ray.
It isn't too glaring, but it's odd to see. What's more surprising is that the film's dimly lit scenes feature some noise. There's depth, but not of the inky black persuasion.
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The contrast receives a boost, with the clouds in the background of the ferry sequence appearing more realistic than on the Full HD Blu-ray.īlack performance presents a slight issue.
Complexions are solid throughout and appear faithfully rendered. The red and blue of Spider-Man's suit is firmer in its rendition, for example.Īs you'd expect, there are improvements to fine detail, with lines more sharply etched and a better sense of definition to objects and faces. The range of tones available are more noticeable and colours themselves tend to have solidity and punch. We only have access to HDR10, and it's a pleasing enough image. The disc comes with both HDR10 and Dolby Vision encodes. Assuming it was the source used for the UHD, that makes this an upscaled release. Spider-Man: Homecoming was shot digitally on Arri Alexa cameras at 2.8K and received a 2K digital intermediate for its theatrical release.
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Samsung QE65Q9FN 4K TV and Oppo UDP-203 4K Blu-ray player MORE: 4K Ultra HD Blu-ray – all the 4K discs on sale and coming soon Picture For re-establishing the Spider-Man character, Homecoming belongs among the MCU's better efforts. The film is more down-to-earth than either Thor or Guardians – the humour and geekery on show here are appealing, but it doesn't forget to have fun. Whenever he and Spider-Man face off, there's a real sense of danger. He's far from one-dimensional, with a logic that underpins his actions and motivations. This is where much of the film's charm and fun is found, thanks to engaging performances from the impressively diverse cast and, in particular, from Tom Holland.Įvery superhero film needs a villain who goes tête-à-tête with the hero, and Homecoming has that in Michael Keaton's Vulture. It's on surer footing when the story turns its attention to Parker's relationships. The use of CG effects are noticeable and, like the recent Black Panther, its presence introduces a whiff of artificiality, breaking up the feeling of immersion in some scenes. The action scenes are directed with energy by Jon Watts, but lack subtlety. When he acts rashly, he's admonished for getting in over his head, but when he does the same thing and saves the day, he's fêted. The journey Parker goes on is one of personal growth, but the lesson he learns is confused in its execution. The story has thrills and laughs, but pick at the threads in places and the logic is less than sound.
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